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On March 24, 1976, the three branches of the armed forces (air force, navy and army) took the government by force. The guerilla groups were the perfect excuse for the military dictatorship to declare a “war against terrorism” and to kidnap, torture, and execute anyone they felt opposed to their agenda. They established secret detention centers where “subversive” citizens were taken after being abducted where they were tortured extensively and often killed. These people, the desaparecidos, the “disappeared,” are estimated to be around 30,000 people, not including those confirmed dead and those who survived the torture and were later released. Family members spent weeks, months, and years trying in vain to get any kind of information about their disappeared loved ones from the government.
PILAR JURADO MEJIAS SPRING.SUMMER 2017
TACTILE TEXTURES.
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Argentina 1976. Reviews a key place in the configuration of our identity, that being memory. The trail and the footprint. The guiding idea that being, is dependent of who we all are, The one according to the collective. Creating garments by taking incomplete parts of other typologies generating a new state of permanent re-construction. This multiplicity of parts and textile intervention reveals the traces of the garment.
Capturing irregular surfaces and slow-crafted details that highlight a natural hand-made look. Embroidery and stitch details are core essentials that generates tactile memory. It leverages the timeless role of neutrals as an ethereal go-to shades and a palette that evoke memories.
EMBROIDERY.
NATIONAL IDENTITY.